The Underlying Unity Of The Creation | Art of Living Australia

The Underlying Unity
Of The Creation

28 Aug 2016 Bangalore, India

(Below is the continuation of the post The Vastness Of The Unknown)

Who is God? God is Satchitananda. ‘Sat’ means the Truth, the ultimate reality without a second. ‘Chit’ means the blissful Consciousness that is alive and complete with intelligence. It is not dead, inert or passive in any way. Consciousness is that which is constant, eternal and ever present. Consciousness is alive, it has intelligence and it alone has the ability to know and comprehend. ‘Ananda’ means that it is blissful.

We say, ‘Satyam Shivam Sundaram’. It means that like Lord Shiva, the Consciousness is benevolent and blissful, it is the Ultimate Truth, and the pinnacle of all beauty. It is peaceful and without a second, it alone is. That is Shiva.
It is only in India that beauty has been associated with God. In no other culture or tradition in the World has God been addressed as beautiful, or the source of all beauty. But in India, the Lord of all beauty and majesty is Lord Shiva, who is also titled as Sundaresa. Beauty is a quality, a sign of Lord Shiva. This is why this whole World is so beautiful. Wherever you see or find something beautiful, there is a deep and subtle energy that rises within you from your very core – and that is the Shiva Tattva. That is the Truth. There was a saint from Kashmir called Lakshman Ju Ji. I came to hear a story about his Guru. Once it so happened that a little girl dressed beautifully with ornaments and flowers came and sat before him. Lakshman Ju’s Guru, who was quite old and elderly, saw the girl and kept looking at the girl for two or three minutes. After that, he rose from his seat and went inside his room. There he went into deep meditation. After some time when he came out, he said “That little girl exuded so much beauty that I went into deep Samadhi upon seeing it”.

The blossoming of a lotus is compared to the full blossoming of one’s Consciousness.

Why do people adorn and decorate the idols of Devi Radha and Lord Krishna so beautifully? It is done so that by beholding such unequalled beauty, deep Truth and the Shiva Tattva gets kindled from within us. That is why temples are decorated so beautifully. If you visit the Meenakshi Temple in Madurai, you will see that they decorate the temple so beautifully. Even the idol of the Goddess is decorated so beautifully, that just by looking at the beauty of the Mother Divine one cannot help but adore the beauty and also feel so meditative. By seeing such images deep waves of beauty arise from within us, and they kindle and awaken the Truth, and the Shiva Tattva within us. That is why Adi Shankaracharya Ji composed the Soundarya Lahiri along with the Shivananda Lahiri. We have never concealed beauty. We have always nurtured, adored and celebrated beauty. If you take any Stotra from our scriptures, you will see that God’s qualities and His beauty are sung about together. There is a hymn in Sanskrit –

Shuklam Brahmavichara Sara Parmamadyam Jagadvyapineem
Veena Pustaka Dharineem-abhayadam Jadyandhakaraapaham.
Haste Sphatikamalikam Vidadhateem Padmasane Samsthitam
Vande Tam Parmeshvareem Bhagwateem Buddhipradam Sharadam.

(Hymn of Adoration to Goddess Saraswati)

Dedicated to Goddess Saraswati, the hymn says, “She is seated with a majestic Veena in Her hands; Your thoughts are the thoughts of purity of the Brahman, yet O Divine mother! You are seated adorned with beautiful flowers of all colours”.
While composing these verses and hymns, one would contemplate and imagine all kinds of beauty associated with the Divine. If someone saw the fully blossomed lotus, they would exclaim “Oh, how beautiful is this lotus!” But nowadays if someone were to make that same statement about a lotus flower, people would misinterpret it, thinking of the person’s political associations (here referring to the Lotus being the electoral symbol of a political party in India). So there is a slight danger of such harmless statements too being seen in a political light.

Maharishi Patanjali said, “Yoga chitta-vritti nirodhah”, meaning that Yoga is to silence the distortions of the Mind.

Dedicated to Goddess Saraswati, the hymn says, “She is seated with a majestic Veena in Her hands; Your thoughts are the thoughts of purity of the Brahman, yet O Divine mother! You are seated adorned with beautiful flowers of all colours”. While composing these verses and hymns, one would contemplate and imagine all kinds of beauty associated with the Divine. If someone saw the fully blossomed lotus, they would exclaim “Oh, how beautiful is this lotus!” But nowadays if someone were to make that same statement about a lotus flower, people would misinterpret it, thinking of the person’s political associations (here referring to the Lotus being the electoral symbol of a political party in India). So there is a slight danger of such harmless statements too being seen in a political light.

The blossoming of a lotus is compared to the full blossoming of one’s Consciousness. The Mother Divine is called as Kamalatmika meaning that the Mother Divine is fully blossomed like a lotus flower in bloom. She is also the secret and the cause behind the full bloom of the lotus flower. She is also called as Kamaladharini – meaning that the Mother Divine holds a fully blossomed lotus flower in one of her hands. In this way we connect every aspect of beauty with the Divine. This has always been the tradition in India. Why? It is because beauty is always understood as an aspect of Divinity.

God is addressed as Satchidananda.
A scientist may say, “I do not believe in beauty, etc.”, that is alright. But would one not accept the fact that God is Satchitananda? The poet says that using these six colours or qualities: Satya, Shiva, Sundara, Sat, Chitda, Ananda – God has created these uncountable creatures and coloured this Creation. And you are the very reflection of these divine qualities. God Himself is the canvas or the backdrop, and He also encompasses all the colours from which has come this Creation of countless sceneries and wonders.

The deeper meaning here is that you should do away with an intellect that discriminates or divides on the basis of this multitude and diversity; and instead understand that everything in Creation is actually made of One thing only. Whether it appears red or blue, or of any colour and attributes, the entire Creation is made up of One all-powerful Consciousness. When you embed this profound truth in your heart, then you become established in Yoga and see the underlying unity of everything.

The poet also says that usually we get stuck in people’s opinions and what they think of us, or our mind gets entangled in petty politics happening before us. Our mind gets trapped with the conflicts and problems around us. But it is not real, actually.
How can you think or know what someone is thinking of you? But you think “This person thinks so-and-so about me; that person thinks like this about me”, etc.
We create such false impressions in our mind, and we keep nurturing our cravings and aversions. What will happen if we drop all the cravings and aversions and think of beauty and divine qualities in our mind? All these distortions drop off and dissolve by themselves and we get established in Yoga.

Maharishi Patanjali said, “Yoga chitta-vritti nirodhah”, meaning that Yoga is to silence the distortions of the Mind. One moves from the scenery to the Seer when we see that this entire Creation is a play of Consciousness and everything is made up of that One Consciousness only. The diversity of colours and scenery is only because of this One Consciousness.

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